{"id":1829,"date":"2021-04-05T02:46:37","date_gmt":"2021-04-05T01:46:37","guid":{"rendered":"https:\/\/simonsdiary.co.uk\/wordpress\/?page_id=1829"},"modified":"2023-08-22T10:00:31","modified_gmt":"2023-08-22T09:00:31","slug":"dangerous-things-cd","status":"publish","type":"page","link":"https:\/\/simonsdiary.co.uk\/wordpress\/dangerous-things-cd\/","title":{"rendered":"Dangerous Things CD"},"content":{"rendered":"<h5><em>Simon Mark Smith &#8211; Detailed information about the <strong>Dangerous Things<\/strong> Album<br \/>\n<\/em><\/h5>\n<hr \/>\n<div class=\"csRow\"><span style=\"font-size: 14px;\">\u00a0Release Date 1st August 2019<\/span><\/div>\n<div class=\"csRow\"><span style=\"color: #ffffff;\">\u00a0.<\/span><\/div>\n<div class=\"csRow\"><span style=\"color: #ffffff;\">\u00a0.<\/span><\/div>\n<h4><a href=\"https:\/\/simonsdiary.co.uk\/wordpress\/wp-content\/uploads\/2021\/03\/Front-Jacket-Cover-copy-600x530-1.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1280\" src=\"https:\/\/simonsdiary.co.uk\/wordpress\/wp-content\/uploads\/2021\/03\/Front-Jacket-Cover-copy-600x530-1-300x265.jpeg\" alt=\"\" width=\"300\" height=\"265\" srcset=\"https:\/\/simonsdiary.co.uk\/wordpress\/wp-content\/uploads\/2021\/03\/Front-Jacket-Cover-copy-600x530-1-300x265.jpeg 300w, https:\/\/simonsdiary.co.uk\/wordpress\/wp-content\/uploads\/2021\/03\/Front-Jacket-Cover-copy-600x530-1.jpeg 600w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/h4>\n<hr \/>\n<h4><span style=\"color: #ffffff;\">.<\/span><\/h4>\n<h4>&#8220;Put simply: this exceptionally unique album is something that you\u2019ll need to definitely hear yourself from front to back. If you\u2019re like us, you\u2019ll need to listen to the album a number of times \u2013 not just because it is so different, or has 17 tracks, but also because it\u2019s just simply stunning&#8230; Categorizing a splendid, and stylistically revolutionary, song like \u201cDreams\u201d is almost a futile effort. It stands by itself. Perhaps it was intentional and strategic because at this point in the album it is becoming more apparent that Smith is a musical genius.&#8221;<br \/>\n<span style=\"color: #333333;\"><em><a style=\"color: #333333;\" href=\"https:\/\/indierockcafe.com\/2020\/04\/album-review-the-stunning-automation-of-dangerous-things-from-simon-m-smith\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-size: 14px;\">Indie Rock Cafe Review<\/span><\/a><\/em><\/span><\/h4>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<h4>&#8220;<strong>British artist delivers his most diverse, yet intimate, records&#8230; As a mirror of wonderful life, \u201cDangerous Things\u201d is almost perfect.&#8221;<br \/>\n<\/strong><span style=\"font-size: 14px;\"><em><span style=\"color: #333333;\"><a style=\"color: #333333;\" href=\"http:\/\/dmme.net\/simon-mark-smith-dangerous-things\/\" target=\"_blank\" rel=\"noopener\">From an Album Review in &#8220;Let It Rock&#8221;<\/a><\/span><\/em><\/span><\/h4>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<h4><a href=\"https:\/\/open.spotify.com\/album\/0uUrHXlzbPCELBPdN6gBq8\" target=\"_blank\" rel=\"noopener\">To play it on Spotify click here or click on a title below to hear it on Reverbnation<\/a><\/h4>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<h3>TRACK LIST <span style=\"font-size: 14px;\">(Click on a title to stream it)<\/span><\/h3>\n<hr \/>\n<p>1\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <a href=\"https:\/\/www.reverbnation.com\/simonmarksmith\/song\/30943224-1-driving-me-wild-from-dangerous\" target=\"_blank\" rel=\"noopener\">Driving Me Wild\u00a0<\/a><\/p>\n<p>2\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <a href=\"https:\/\/www.reverbnation.com\/simonmarksmith\/song\/30943051-2-protected-from-dangerous-things\" target=\"_blank\" rel=\"noopener\">Protected<\/a><\/p>\n<p>3\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <a href=\"https:\/\/www.reverbnation.com\/simonmarksmith\/song\/29294532-3-dangerous-things-from-album-by\" target=\"_blank\" rel=\"noopener\">Dangerous Things<\/a><\/p>\n<p>4\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <a href=\"https:\/\/www.reverbnation.com\/simonmarksmith\/song\/29967105-4-losing-me-from-dangerous-things\" target=\"_blank\" rel=\"noopener\">Losing Me<\/a><\/p>\n<p>5\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <a href=\"https:\/\/www.reverbnation.com\/simonmarksmith\/song\/30943296-5-dream-girl-from-dangerous-things\" target=\"_blank\" rel=\"noopener\">Dream Girl<\/a><\/p>\n<p>6\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <a href=\"https:\/\/www.reverbnation.com\/simonmarksmith\/song\/28552449-6-fallen-angel-from-dangerous-things\" target=\"_blank\" rel=\"noopener\">Fallen Angel<\/a><\/p>\n<p>7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <a href=\"https:\/\/www.reverbnation.com\/simonmarksmith\/song\/19683024-7-break-from-dangerous-things-album\" target=\"_blank\" rel=\"noopener\">Break It<\/a><\/p>\n<p>8\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <a href=\"https:\/\/www.reverbnation.com\/simonmarksmith\/song\/28585017-8-words-prey-from-dangerous-things\" target=\"_blank\" rel=\"noopener\">Words of Prey<\/a><\/p>\n<p>9\u00a0 \u00a0 \u00a0 <a href=\"https:\/\/www.reverbnation.com\/simonmarksmith\/song\/28006364-9-i-feel-you-in-my-life-from-dangerous\" target=\"_blank\" rel=\"noopener\">\u00a0I Feel You in My Life<\/a><\/p>\n<p>10\u00a0\u00a0\u00a0\u00a0<a href=\"https:\/\/www.reverbnation.com\/simonmarksmith\/song\/28667819-10-dreams-work-in-progress\" target=\"_blank\" rel=\"noopener\"> Dreams<\/a><\/p>\n<p>11\u00a0\u00a0\u00a0\u00a0 <a href=\"https:\/\/www.reverbnation.com\/simonmarksmith\/song\/29786333-11-not-enough-from-dangerous-things\" target=\"_blank\" rel=\"noopener\">Not Enough<\/a><\/p>\n<p>12\u00a0\u00a0\u00a0\u00a0 <a href=\"https:\/\/www.reverbnation.com\/simonmarksmith\/song\/29018087-12-your-name-from-dangerous-things\" target=\"_blank\" rel=\"noopener\">Your Name<\/a><\/p>\n<p>13\u00a0\u00a0\u00a0\u00a0 <a href=\"https:\/\/www.reverbnation.com\/simonmarksmith\/song\/28455679-13-story-love-from-dangerous-things\" target=\"_blank\" rel=\"noopener\">A Story of Love<\/a><\/p>\n<p>14\u00a0\u00a0\u00a0\u00a0 <a href=\"https:\/\/www.reverbnation.com\/simonmarksmith\/song\/29100834-14-our-love-lives-forever-from\" target=\"_blank\" rel=\"noopener\">Our Love Lives Forever<\/a><\/p>\n<p>15\u00a0\u00a0\u00a0\u00a0 <a href=\"https:\/\/www.reverbnation.com\/simonmarksmith\/song\/29786356-15-forever-today\" target=\"_blank\" rel=\"noopener\">Forever Today<\/a><\/p>\n<p>16\u00a0\u00a0\u00a0\u00a0 <a href=\"https:\/\/www.reverbnation.com\/simonmarksmith\/song\/29778858-16-just-friend-from-dangerous-things\" target=\"_blank\" rel=\"noopener\">Just A Friend<\/a><\/p>\n<p>17\u00a0\u00a0\u00a0\u00a0 <a href=\"https:\/\/www.reverbnation.com\/simonmarksmith\/song\/27976475-17-neon-sun-from-dangerous-things\" target=\"_blank\" rel=\"noopener\">Neon Sun<\/a><\/p>\n<p>Lyrics and individual song details can be found further down the page<\/p>\n<h4 style=\"text-align: left;\">Press Release<\/h4>\n<hr \/>\n<p><strong>Has Automation Come to Music?<\/strong><\/p>\n<p><strong>One of the first albums to feature mainly virtual musicians has just been released, and do you think you can tell a computer played the music?<\/strong><\/p>\n<p>For decades musicians have been using computers to sample sounds and play patterns of music. Up until recently it has been musicians telling the computer what notes to play, when and how. But in the last few years software has been coming to the market that lets the computer choose which note play when and how it \u201cthinks\u201d best.<\/p>\n<p>Simon Mark Smith has just released a 17 track album, Dangerous Things, in which 12 of the tracks were created using such software. He has had a following of over 120,000 followers on Facebook for his music over the last 10 years, yet they have been unaware that not is he not musically trained but he can\u2019t actually play any instruments because in part, he was born without any lower arms.<\/p>\n<p>\u201cMy followers on Facebook wouldn\u2019t know about my arms, I\u2019ve hidden this from them for the last 10 years, but I don\u2019t want to hide it anymore, nor do I want to make it the focus of what I do. It\u2019s hard to find the right balance.\u201d<\/p>\n<p>\u201cI am a singer songwriter but I don\u2019t consider myself to be a musician, I write songs and sing, but when it comes to the music I either get other people to play the music on my songs or increasingly I get computers to do it.\u201d<\/p>\n<p>\u201cWhat\u2019s strange is, using computers is very similar to working with real musicians,\u201d says Smith, \u201cI tell the computer what keys, chords, tempo and style I want and it comes up with loads of ideas which I then edit to create a song. The difference between now and a few years ago is just how human the music sounds&#8230;\u201d<\/p>\n<p>Dangerous Things, crosses genres and styles from rock, to pop, to folk, whilst veering from sounding like The National, to Tom Waits to Chris Isaacs.<\/p>\n<p>Simon Mark Smith is also a digital artist, writer, painter, and photographer. He\u2019s a product of our times; harnessing the power of the Internet to distribute and promote his art. Over the last 30 years he has written hundreds of songs and recorded 4 albums. He already has another album recorded and ready for release later this year, as well as an autobiography in the editing stage. 2019 and 2020 look set to be a busy time for Smith. Prepare to hear more from this prolific artist.<\/p>\n<p>For further information:<\/p>\n<p>Email <a href=\"mailto:info@simonmarksmith.com\">info@simonmarksmith.com<\/a><\/p>\n<h5><\/h5>\n<h5><span style=\"font-size: 14px;\">Artist Information<\/span><\/h5>\n<hr \/>\n<p><span style=\"font-size: 14px;\">Label: Independent<\/span><\/p>\n<p><span style=\"font-size: 14px;\">Genre: Rock, Pop, Folk,<\/span><\/p>\n<p><span style=\"font-size: 14px;\">Sounds like: The National,\u00a0James Arthur,\u00a0The Drones, Iron and Wine, Ryan Adams, Robbie Robertson, Kings of Leon, Civil Twilight, Oren Lavie,\u00a0Jade Everett, Everlast,<span class=\"Apple-converted-space\">\u00a0 <\/span>Nick Cave,\u00a0Tom Waits, Leonard Cohen, Chris Isaak, Mark Knopfler, JJ Cale.<\/span><\/p>\n<p class=\"p1\"><span style=\"font-size: 14px;\">Influences: Nick Cave,\u00a0Tom Waits, Leonard Cohen, Mary Margaret O&#8217;Hara, Chris Isaak, Mark Knopfler, Dire Straits, JJ Cale, Antony and the Johnsons, The The, Bob Dylan, Malcolm McLaren, Pink Floyd, Yellow, INXS, Michael Jackson, Roxy Music, Japan, Tracey Chapman, Kate Bush.\u00a0<\/span><\/p>\n<h5>Dangerous Things<\/h5>\n<hr \/>\n<p><em>Simon Mark Smith\u2019s latest album, Dangerous Things, includes 12 songs out of 17 which showcase some of the most sophisticated virtual musician software currently available. The rich emotional musicality of these songs will amaze you. This is the beginning of the automation era and this album will astound you with just how real current virtual musicians sound.<\/em><\/p>\n<p>Music<\/p>\n<hr \/>\n<h5>Video<\/h5>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/GLngcIzZ0jM\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<hr \/>\n<h5><\/h5>\n<h5><\/h5>\n<h5>Biography<\/h5>\n<hr \/>\n<p>Simon Mark Smith has a following of around 120,000 followers on Facebook for his music, yet he can\u2019t physically play any instruments and isn\u2019t musically trained!<\/p>\n<p>\u201cHaving no lower arms doesn\u2019t help when it comes to being a musician\u201d he says smiling, \u201cbut I want people to focus on my music not my arms. My followers on Facebook wouldn\u2019t know about my arms, I\u2019ve hidden this from them for the last 10 years, but I don\u2019t want to hide it anymore, nor do I want to make it the focus of what I do. It\u2019s hard to find the right balance.\u201d<\/p>\n<p>\u201cI don\u2019t actually consider myself to be a musician, I write songs and sing, but I either get other people to play the music on my songs or increasingly I get computers to do it. This last album has 17 songs on, 12 were made using computers only, they came up with the music and play the solos. What\u2019s strange is it\u2019s very similar to working with musicians. I tell the computer what key, chords, tempo and style I want and it comes up with loads of ideas which I then choose and stitch together to create a song. The difference between now and a few years ago is just how human the music sounds. We seem to have moved in to a new era. The computer takes a sample then twists and moulds it to fit with the song I\u2019m creating or do I mean we\u2019re creating.\u201d<\/p>\n<p>His latest album, Dangerous Things, crosses genres and styles from rock, to pop, to folk, whilst veering from sounding like The National, to Tom Waits to Chris Isaacs. In terms of the songs being immediately accessible, Smith points out in our current world of streaming, if a song doesn\u2019t grab you immediately it\u2019ll probably fall by the wayside, which is a shame because so many of the songs I learned to love were not immediately likable. Some music requires commitment from the listener to give it a chance. I have found that giving my music away for free allows listeners to make it a part of the listener\u2019s music library where they can give it a chance. Even so, some songs on the album are immediately accessible.\u201d He smiles \u201cI\u2019m not that brave\u201d he says.<\/p>\n<p>Simon Mark Smith is also a digital artist, writer, painter, and photographer, who was using computers in his art as far back as 1985 during his degree in Fine Art at the renowned Chelsea School of Art in London. Much of the artwork he does now is created on an iPad using paint type apps and can be seen in the video for the title track \u201cDangerous Things\u201d (see above).<\/p>\n<p>Simon is a product of our times; he isn\u2019t musically trained but has written hundreds of songs and recorded 4 albums. He already has another album recorded and ready for release later this year, as well as an autobiography in the editing stage, 2019 and 2020 look set to be a busy time for Smith. Prepare to hear more from this prolific artist.<\/p>\n<p><em>M Rachailov 2019 (CC) UK<\/em><\/p>\n<h5><span style=\"color: #ffffff;\">.<\/span><\/h5>\n<h5>Media Coverage<\/h5>\n<hr \/>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<h3>Reviews<\/h3>\n<h1 class=\"title single\"><a title=\"Permalink to: Album Review: The Stunning Automation of \u2018Dangerous Things\u2019 from Simon M. Smith\">Album Review: The Stunning Automation of \u2018Dangerous Things\u2019 from Simon M. Smith<\/a><\/h1>\n<p>The future of music may already be here.<\/p>\n<p>That is \u2013 the automation of music. With the backlash lately against automation, algorithms and artificial intelligence, it would be understandable if music enthusiasts were skeptical of computer-generated music.<\/p>\n<p>In fairness, for many people, computer-generated music is that which they have heard on cheap apps, games and other tacky mediums.<\/p>\n<p>That\u2019s until you hear\u00a0<strong>Simon Mark Smith<\/strong>\u2018s near-fully automated music album,\u00a0<em>Dangerous Things<\/em>. History may have been made just by the release of this album; but it\u2019s the music that really matters.<\/p>\n<p>The 17-track album is over-flowing with moody, compelling, thoughtful and enjoyable songs. This by itself is a rare accomplishment in our experience. Often times, albums with more than nine or 10 tracks contain somewhere between three to five or more \u2018filler\u2019 tracks.<\/p>\n<p>In this case, Smith was obviously deliberate about the placement \u2013 not just the creation (which is a whole other amazing story you won\u2019t come across again) \u2013 of each song.<\/p>\n<p>At first, one might say: \u201cOh man 17 tracks?! There\u2019s going to be fat on this baby and we have to figure where to cut.\u201d<\/p>\n<p>But surprise, surprise. Without exaggeration, track after track on\u00a0<em>Dangerous Things<\/em>\u00a0measures up to the very best on the album \u2013 as if this was Smith\u2019s greatest hits collection after a decade or more of hits.<\/p>\n<p>But even more inspirational when one thinks of such an accomplishment, Smith was born without arms, a condition called Holt-Oram syndrome. He does not consider himself \u2018disabled\u2019 and addressed that subject, h says, in his first album.<\/p>\n<p>That said, Smith completely understands that some people, especially other musicians, are amazed when they learn that his highly inventive, yet also familiar, album was done so largely through automation.<\/p>\n<p>Perhaps most surprising is when one stops to consider that to make just one song, Smith had to first imagine each track first. Then, he had to figure out which instruments he was going to use in a song.<\/p>\n<p>Next, he went about a process of individually programming \u2013 one by one \u2013 every note for each instrument. After that, he had to mix the tracking of each instrument and listen to them over and over again, making tweaks along the way, in order to get the right sound.<\/p>\n<p>This is incalculably more difficult than a one-man band in his basement who can record each instrument and then (and here\u2019s the key) play along with that recording with a new instrument in order to get the timing right in real-time. Smith had to do all of this the very long way round.<\/p>\n<p>Without the assistance of computers and increasingly automated software programs, Smith may not have been able to achieve the final sound he wanted.<\/p>\n<p>He claims it is \u201cone of the first albums to feature mainly virtual musicians,\u201d asking the question: \u201cDo you think you can tell that a computer played \u2013 not just recorded \u2013 the music?\u201d<\/p>\n<p>Smith actually created virtual band members, with full identities, in order to delegate their roles more easily. The amount of organization and coordination with himself and his cast of computer-generated band members is impressive.<\/p>\n<p>\u201cWhat\u2019s strange is that using computers is very similar to working with real musicians,\u201d he remarks; \u201cI tell the computer what keys, chords, tempo and style I want and it comes up with loads of ideas which I then edit to create a song. The difference between now and a few years ago is just how human the music sounds.\u201d<\/p>\n<p>\u201cDriving Me Wild\u201d opens up the album with a classic rock vibe veiled in a bit of theatrical rock complete with a chorus and rapid chord changes.<\/p>\n<p>That smoking opener is followed by the slower, funkier track, \u201cProtected,\u201d that the listener can detect is helped by computers. Smith calls this track, compared to the others on the album, \u201coff the wall.\u201d A heavy bluesy organ, female backing vocals, sexy jazzy sax trills \u2013 all packed into one robust track that doesn\u2019t miss a beat.<\/p>\n<p>There is a definite Beck-like vibe to parts of the song as Smith changes it up genre-wise, and overall musically, a few times throughout with stunning effects. Speaking of Beck, another track that sounds like the indie\/alt god is the funky, jazzy swing of \u201cYour Name.\u201d<\/p>\n<p>By the middle of the album, the listener is treated to some of the juiciest parts with spectacular, mood-shifting songs like the atmospheric \u201cBreak It\u201d, the disco-infused and amazing \u201cWords of Prey\u201d and the funky pop jams of \u201cI Feel You in My Life.\u201d<\/p>\n<p>It\u2019s not hard to see disco-inspired songs like \u201cA Story of Love\u201d being played as dance mixes at a nightclub party.<\/p>\n<p>As Smith rolls out the carpet, he continues to surprise with genre and mood-shifting tracks, introducing songs from an era many decades ago like on the swing\/jazz-infused retro hybrid track, \u201cDreams.\u201d<\/p>\n<p>The more one sinks into the comfortable, dazzling and cinematic album, it becomes more and more apparent to some that the production is more like a movie in which we have the visuals and sounds provided by the music itself.<\/p>\n<p>Categorizing a splendid, and stylistically revolutionary, song like \u201cDreams\u201d is almost a futile effort. It stands by itself. Perhaps it was intentional and strategic because at this point in the album it is becoming more apparent that Smith is a musical genius.<\/p>\n<p>A little bit like \u201cA Story of Love,\u201d the energetic \u201cNot Enough\u201d is a pumped-up, disco-fueled song on the album that is about all of the things in the world that are \u201cnot enough\u201d, he says, with the focus on love. Not enough love: a powerful message at a confusing and tumultuous time.<\/p>\n<p>The title track, \u201cDangerous Things,\u201d is one of the standout songs on a standout album. It is one of the most emotional tracks on the album with Smith showing off his heart-string-pulling skills.<\/p>\n<p>Smith says about the title track: \u201cThis is mainly a song about temptation, but I wanted to focus on the issue that whilst we may feel we are tempted by something, it is the possibility of self-destruction that makes the temptation so powerful.\u201d<\/p>\n<p>Lines like: \u201cThis desire\/ that guides me\/ It\u2019s a long way from home\/ But I, I got it here\/ it\u2019s in my heart\/ It wants to leave me alone\u201d leave the listener intrigued.<\/p>\n<p>\u201cSometimes I would have dreams about the sea\u2019s waves crashing against my house,\u201d growing up in the U.K.<\/p>\n<p>\u201cWhen I thought about this I wondered if the sea was my own emotions and desires wanting to smash my own \u2018internal\u2019 home down. You might think that would be illogical, but if we have a self-destructive part of us, then that might make sense,\u201d he says.<\/p>\n<p>\u201cDangerous Things\u201d is one of the strongest compositions on the album. It\u2019s slow-burning, melancholy story, Smith\u2019s heart-wrenching vocals, and the remarkably arranged instrumentations make it impossible to turn away from.<\/p>\n<p>It\u2019d be a killer song in a film or TV sequence. The comparisons that come to mind goes like this: \u201cThink Bowie mixed with Pink Floyd and some Clapton for good measure.\u201d And again, folks, this is all done on a computer \u2013 no real instruments. Can you tell?<\/p>\n<p>And that\u2019s where Smith has something truly unique that sets him apart from the vast majority of musicians \u2013 it\u2019s automated music.<\/p>\n<p>Take a trip to the 70s with the Gordon Lightfoot-like acoustic track, \u201cLosing Me,\u201d with its touch of Roy Orbison and tinges of country-rock.<\/p>\n<p>The vocals effects and techniques employed here stand out from the music itself, which is by no means a negative (just the opposite) commentary on the music itself, but rather to say that Smith has a mastery of moods and sounds that are largely inspired, it seems, by his vocal intuitions.<\/p>\n<p>He sways from style to style, emotion to emotion, on tracks like the bluesy groove of \u201cDream Girl\u201d and the somber, heart-wrenching love song, \u201cFallen Angel,\u201d complete with a cello droning in the background.<\/p>\n<p>The last one-third portion of the album explores more the stories and emotions of love with touching songs like \u201cOur Love Lives Forever\u201d and \u201cForever Today\u201d \u2013 both tracks are obviously thematically aligned.<\/p>\n<p>The acoustic-driven \u201cJust A Friend\u201d marries nicely with the Tom Waits-like closing track, \u201cNeon Sun,\u201d complete with its smooth tropical jazz vibe, a nice end to a wild and amazing sonic ride of sounds, vocals, genres, styles and yes, automation.<\/p>\n<p>Put simply: this exceptionally unique album is something that you\u2019ll need to definitely hear yourself from front to back. If you\u2019re like us, you\u2019ll need to listen to the album a number of times \u2013 not just because it is so different, or has 17 tracks, but also because it\u2019s just simply stunning.<\/p>\n<p><em>Smith\u2019s musical influences are many, including Nick Cave, Tom Waits, Leonard Cohen, Mary Margaret O\u2019Hara, Chris Isaak, Mark Knopfler, Dire Straits, JJ Cale, The The, Bob Dylan, Pink Floyd, INXS, and Roxy Music.<\/em><\/p>\n<p><a href=\"https:\/\/indierockcafe.com\/2020\/04\/album-review-the-stunning-automation-of-dangerous-things-from-simon-m-smith\/\" target=\"_blank\" rel=\"noopener noreferrer\">See original article here<\/a><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"AoZzPOGQy9\"><p><a href=\"https:\/\/indierockcafe.com\/2020\/04\/album-review-the-stunning-automation-of-dangerous-things-from-simon-m-smith\/\">Album Review: The Stunning Automation of &#8216;Dangerous Things&#8217; from Simon M. Smith<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"&#8220;Album Review: The Stunning Automation of &#8216;Dangerous Things&#8217; from Simon M. Smith&#8221; &#8212; INDIE ROCK CAFE\" src=\"https:\/\/indierockcafe.com\/2020\/04\/album-review-the-stunning-automation-of-dangerous-things-from-simon-m-smith\/embed\/#?secret=9mrb92wKtI#?secret=AoZzPOGQy9\" data-secret=\"AoZzPOGQy9\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>&#8220;<strong>British artist delivers his most diverse, yet intimate, records.&#8221;<br \/>\n&#8220;As a mirror of wonderful life, \u201cDangerous Things\u201d is almost perfect.&#8221;<br \/>\n<\/strong><\/p>\n<p>From an Album Review in &#8220;Let It Rock&#8221; (<a href=\"http:\/\/www.simonmarksmith.com\/let-it-rock-review-of-dangerous-things\/\">See it in full by clicking here<\/a>)<br \/>\n<span style=\"color: #333333;\"><a style=\"color: #333333;\" href=\"http:\/\/dmme.net\/simon-mark-smith-dangerous-things\/\">Original article: http:\/\/dmme.net\/simon-mark-smith-dangerous-things\/<\/a><\/span><\/p>\n<p><a href=\"https:\/\/store.cdbaby.com\/Artist\/SimonMarkSmithAndSteveDumelo\">https:\/\/store.cdbaby.com\/Artist\/SimonMarkSmithAndSteveDumelo<\/a><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<h4>Television<\/h4>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p style=\"text-align: center;\">Interview on Latest TV<br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/Cq69Gzg-lSo?start=278\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h4>Radio<\/h4>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p style=\"text-align: center;\">Hailsham Radio&#8217;s Martina Mercer<br \/>\nInterviews Simon Mark Smith 25\/8\/19<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #ffffff;\">.<\/span><br \/>\n<iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ZGT7Q0ji-Tk\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<h4>LYRICS AND CREDITS<\/h4>\n<hr \/>\n<p>1 Driving Me Wild<\/p>\n<p>It\u2019s a time<\/p>\n<p>It\u2019s a time<\/p>\n<p>I don\u2019t want to be<\/p>\n<p>It\u2019s the curse<\/p>\n<p>It\u2019s the curse<\/p>\n<p>Of the Lycan for me<\/p>\n<p>Load up your silver bullets<\/p>\n<p>I\u2019ll be coming your way<\/p>\n<p>It\u2019s still me darling<\/p>\n<p>But you better pray<\/p>\n<p>It\u2019s your love that\u2019s driving me wild<\/p>\n<p>Driving me wild<\/p>\n<p>It\u2019s your love that\u2019s driving me wild<\/p>\n<p>Driving me wild<\/p>\n<p>But if you say love me baby<\/p>\n<p>Like you say you do<\/p>\n<p>I\u2019ll be holding you tight<\/p>\n<p>When the sun comes in to view<\/p>\n<p>The moon\u2019s full<\/p>\n<p>Of my yearnings<\/p>\n<p>I need you to come my way<\/p>\n<p>It\u2019s so dark<\/p>\n<p>It\u2019s so dark<\/p>\n<p>But I\u2019m gonna<\/p>\n<p>Find you<\/p>\n<p>In the valley of the Valais in the night<\/p>\n<p>Oh, the moon it shines its darkest light<\/p>\n<p>And When I go to sleep<\/p>\n<p>I avoid counting sheep<\/p>\n<p>At least when I come back<\/p>\n<p>I don\u2019t need no more midnight snacks<\/p>\n<p>It\u2019s your love that\u2019s driving me wild<\/p>\n<p>Driving me wild<\/p>\n<p>It\u2019s your love that\u2019s driving me wild<\/p>\n<p>Driving me wild<\/p>\n<p>It\u2019s a little bit maddening<\/p>\n<p>It\u2019s a little bit harsh<\/p>\n<p>It\u2019s a little bit maddening<\/p>\n<p>It\u2019s a little bit harsh<\/p>\n<p>EXTRA LYRICS<\/p>\n<p>When I kiss your sweet lips<\/p>\n<p>Girl they taste so good<\/p>\n<p>And When I bite, I bite you gently<\/p>\n<p>Just like I should<\/p>\n<p>Song length 3:37<\/p>\n<p>Words, Music and Performance: Simon Smith<\/p>\n<p>Backing vocals: Patou Soult and Linda Boakye<\/p>\n<p>2 Protected<\/p>\n<p>Ooh I say<\/p>\n<p>Hits right away<\/p>\n<p>Ooh I say<\/p>\n<p>Don\u2019t you go away<\/p>\n<p>Don\u2019t feel, don\u2019t feel alone<\/p>\n<p>Don\u2019t feel, don\u2019t feel alone<\/p>\n<p>There\u2019s nothing like this in my life<\/p>\n<p>Where\u2019s the needle<\/p>\n<p>Where\u2019s the line<\/p>\n<p>Need to feel it all the time<\/p>\n<p>For all I own<\/p>\n<p>For all I own<\/p>\n<p>For all I own<\/p>\n<p>I\u2019m all alone<\/p>\n<p>I need it<\/p>\n<p>I love it<\/p>\n<p>I just got to have it<\/p>\n<p>Ooh I say<\/p>\n<p>Just want it to stay<\/p>\n<p>I don\u2019t know the things you know<\/p>\n<p>But I\u2019m protected<\/p>\n<p>I don\u2019t know if you should know<\/p>\n<p>But I\u2019m protected<\/p>\n<p>I got it deep<\/p>\n<p>I got it bad<\/p>\n<p>If I fall<\/p>\n<p>I won\u2019t come back<\/p>\n<p>Tick-tock it\u2019s time to play<\/p>\n<p>Tick-tock time away<\/p>\n<p>You gonna ride this ride a long, long way now<\/p>\n<p>You got to ride this ride a long, long way now<\/p>\n<p>I don\u2019t know the things you know<\/p>\n<p>But I\u2019m protected<\/p>\n<p>I don\u2019t know if you should know<\/p>\n<p>That I\u2019m protected<\/p>\n<p>I got it deep<\/p>\n<p>I got it bad<\/p>\n<p>If I fall<\/p>\n<p>I won\u2019t come back<\/p>\n<p>Song length<\/p>\n<p>Music, Lyrics, lead and male backing vocals and production: Simon Mark Smith<\/p>\n<p>Female backing Vocals: Patou Soult<\/p>\n<p>3 Dangerous Things<\/p>\n<p>Dangerous Things<\/p>\n<p>My mind has been lost on a journey on a wrong road<\/p>\n<p>I\u2019ve been high. I\u2019ve been torn, I\u2019ve been low<\/p>\n<p>I\u2019d been walking so long on the right way.<\/p>\n<p>I\u2019d been true to love, for a long time<\/p>\n<p>Oh, come, oh come, come light<\/p>\n<p>Come, come, light, light<\/p>\n<p>Oh, come oh come light<\/p>\n<p>Oh, come light, come<\/p>\n<p>When I feel you close girl<\/p>\n<p>It\u2019s all so absurd but<\/p>\n<p>But if I knew that it was forever<\/p>\n<p>Then I\u2019d have to hurt you<\/p>\n<p>This desire, that guides me<\/p>\n<p>It\u2019s a long way from home<\/p>\n<p>But I, I got it here, it\u2019s in my heart<\/p>\n<p>It wants to leave me alone<\/p>\n<p>And when you\u2019re here<\/p>\n<p>You get too near<\/p>\n<p>I feel it damn hard<\/p>\n<p>If I had it all<\/p>\n<p>I\u2019d let it fall<\/p>\n<p>Our eyes are not a long way<\/p>\n<p>Not a long way from fear<\/p>\n<p>But I, I can\u2019t touch what I\u2019m not seeing<\/p>\n<p>I want to fly but<\/p>\n<p>My heart\u2019s breaking<\/p>\n<p>And there\u2019s a storm<\/p>\n<p>And the waves are coming strong<\/p>\n<p>Crashing on, crashing on<\/p>\n<p>The home where I belong<\/p>\n<p>Got to be telling you, baby<\/p>\n<p>About the things in my heart<\/p>\n<p>Got to hold, got to hold<\/p>\n<p>Us apart<\/p>\n<p>If you got a lot to give, then be true<\/p>\n<p>If you got a lot to take, then take two<\/p>\n<p>But my heart yearns<\/p>\n<p>And my love\u2019s still<\/p>\n<p>And my tears fall<\/p>\n<p>For the pain I bring<\/p>\n<p>And when you\u2019re close<\/p>\n<p>I sense your skin<\/p>\n<p>But something tells me, baby<\/p>\n<p>It\u2019s a dangerous thing<\/p>\n<p>And if you knew where it\u2019d end<\/p>\n<p>Would you go, or would you do it all again<\/p>\n<p>And when you\u2019re here<\/p>\n<p>you get too near<\/p>\n<p>I feel it damn hard<\/p>\n<p>If I had it all<\/p>\n<p>I\u2019d let it fall<\/p>\n<p>If we hide it<\/p>\n<p>Then the light\u2019s gone<\/p>\n<p>Hard to hold on<\/p>\n<p>Or put the break on<\/p>\n<p>Then all the love\u2019s gone<\/p>\n<p>Though it feels strong<\/p>\n<p>We know it\u2019s wrong<\/p>\n<p>Song length 6:31<\/p>\n<p>Copyright 8th January 2018 UK<\/p>\n<p>Words, music, performance, and production Simon Mark Smith<\/p>\n<p>Plus countless musicians whose music samples I used (legally), thank you.<\/p>\n<p>4 Losing Me<\/p>\n<p>I feel my heart\u2019s gonna break today<\/p>\n<p>I think my gonna break today<\/p>\n<p>Oh, kiss me gently now<\/p>\n<p>Night is drawing in<\/p>\n<p>Be close to me<\/p>\n<p>Before you leave<\/p>\n<p>When you sung<\/p>\n<p>Your love song you were<\/p>\n<p>I could have danced eternally<\/p>\n<p>I was gonna live my life forever now<\/p>\n<p>Gonna take what will be<\/p>\n<p>I left me outside when<\/p>\n<p>I fell in to you<\/p>\n<p>I\u2019m so alone<\/p>\n<p>Without me too<\/p>\n<p>You\u2019re letting our love fade away girl<\/p>\n<p>And I don\u2019t know which way to go<\/p>\n<p>You\u2019re letting our love slip away now<\/p>\n<p>And I don\u2019t know what to do<\/p>\n<p>Oh, I feel you going<\/p>\n<p>Gonna live<\/p>\n<p>Gonna live together<\/p>\n<p>Gonna take what will be<\/p>\n<p>Oh, I feel you going<\/p>\n<p>Have you gone, gone away?<\/p>\n<p>Oh, I feel you going<\/p>\n<p>I left me outside when<\/p>\n<p>I fell in to you<\/p>\n<p>I\u2019m so alone<\/p>\n<p>without me too<\/p>\n<p>I feel my heart is going to break today<\/p>\n<p>Leave my heart to love today<\/p>\n<p>Leave my heart to love today<\/p>\n<p>Song length 3:04<\/p>\n<p>Music composition, Bass and Guitar: Steve Dumelo<\/p>\n<p>Vocal Melodies and Lyrics: Simon Mark Smith<\/p>\n<p>Copyright Simon Mark Smith 2013<\/p>\n<p>5 Dream Girl<\/p>\n<p>Dream girl<\/p>\n<p>I think I know you<\/p>\n<p>I think you\u2019ve shown me<\/p>\n<p>What love should be<\/p>\n<p>Out in the blue<\/p>\n<p>That\u2019s where you\u2019ll find me<\/p>\n<p>Dream girl<\/p>\n<p>I think I heard you<\/p>\n<p>whispering love songs<\/p>\n<p>Out in the blue<\/p>\n<p>Out in the blue<\/p>\n<p>Where I can\u2019t find you<\/p>\n<p>When I finally got to read<\/p>\n<p>Between the story lines<\/p>\n<p>It was only then I saw<\/p>\n<p>That real love was getting left behind<\/p>\n<p>Oh, my heart, my heart it breaks,<\/p>\n<p>When reality mistakes<\/p>\n<p>All the love we\u2019d felt in dreams<\/p>\n<p>Was a love that could never be<\/p>\n<p>Real girl I guess i found you<\/p>\n<p>Looking for a dream boy<\/p>\n<p>Out of the blue<\/p>\n<p>Out of the blue<\/p>\n<p>Didn\u2019t dream I\u2019d find you<\/p>\n<p>Real girl, I guess you\u2019re no dream girl<\/p>\n<p>I guess I\u2019m no dream boy<\/p>\n<p>I guess it\u2019s true<\/p>\n<p>Out of the blue<\/p>\n<p>There comes a truth<\/p>\n<p>Song length 3:36<\/p>\n<p>Music Melody, Guitars: Bob Breakey<\/p>\n<p>Vocal Melody, Drums, Second Bass, Vocals, main backing vocals, lyrics and production: Simon Mark Smith<\/p>\n<p>Bass Guitar and Backing Vocals: Patou Soult<\/p>\n<p>6 Fallen Angel<\/p>\n<p>Oh, my heart<\/p>\n<p>I feel such a pain now you\u2019re gone<\/p>\n<p>I woke this morning<\/p>\n<p>And my world seemed so grey<\/p>\n<p>If you\u2019d seen love<\/p>\n<p>Then maybe you\u2019d stayed<\/p>\n<p>Something to help<\/p>\n<p>With the games, they played<\/p>\n<p>Something to belong<\/p>\n<p>Right here<\/p>\n<p>If you\u2019ve got to live a lie<\/p>\n<p>Then you\u2019re living a wrong way<\/p>\n<p>If you can\u2019t speak your truth<\/p>\n<p>Then there\u2019s nothing to say<\/p>\n<p>It\u2019s hard baby<\/p>\n<p>So, hard baby<\/p>\n<p>Sometimes I feel like this whole world<\/p>\n<p>I feel it, it\u2019s so wrong<\/p>\n<p>Sometimes I feel my life<\/p>\n<p>Sometimes I feel like it\u2019s gone<\/p>\n<p>And in the heart of my dreams<\/p>\n<p>This world is so kind<\/p>\n<p>And all those angels falling<\/p>\n<p>Calling for you<\/p>\n<p>How can you fall<\/p>\n<p>My sweetest angel<\/p>\n<p>When your love\u2019s in my heart<\/p>\n<p>How can you fall<\/p>\n<p>My sweetest angel<\/p>\n<p>When you said we\u2019d never part<\/p>\n<p>It\u2019s hard baby<\/p>\n<p>So, hard baby<\/p>\n<p>Life is on the line all the time<\/p>\n<p>See these tears of a love that\u2019s so pure<\/p>\n<p>And these bad times<\/p>\n<p>They are going away<\/p>\n<p>And the sad times<\/p>\n<p>They\u2019re not going to stay<\/p>\n<p>And all those angels falling<\/p>\n<p>Calling for truth \/ you<\/p>\n<p>It\u2019s hard baby<\/p>\n<p>It\u2019s hard baby<\/p>\n<p>Life is on the line all the time<\/p>\n<p>See these tears of a love that\u2019s so pure<\/p>\n<p>Song length 4:30<\/p>\n<p>Words, Music and Production by Simon Mark Smith<\/p>\n<p>Copyright Simon Mark Smith 9th September 2017<\/p>\n<p>In memory of Val\u00e9rie. A friend who left us too early.<\/p>\n<p>We were just friends but I was very saddened to hear of her passing. Before writing this I had been thinking about how bad it feels to be surrounded by people we don\u2019t connect with, how lonely it can feel. From there the song developed as I wondered how bad things must be for someone who takes their own life and how they often can\u2019t see how much they mean to others.<\/p>\n<p>7 Break It<\/p>\n<p>Love, I got to see you<\/p>\n<p>My lover my friend<\/p>\n<p>I got to feel our minds entwine<\/p>\n<p>For all the time<\/p>\n<p>Until the end<\/p>\n<p>Night Time is our quiet time<\/p>\n<p>Dark skies, our friends<\/p>\n<p>If you\u2019re gonna drive this road one day<\/p>\n<p>You got to pull up close but do not stay<\/p>\n<p>Pull down the roof and let me drive<\/p>\n<p>Recline your seat and watch dark sky<\/p>\n<p>But don\u2019t you listen<\/p>\n<p>To the rambling of that old man<\/p>\n<p>Cos it\u2019s the secret code of the night sky<\/p>\n<p>That you should never understand tonight<\/p>\n<p>First you gonna take it<\/p>\n<p>Then you\u2019ll make it<\/p>\n<p>Then you\u2019ll mistake it<\/p>\n<p>Then you\u2019ll break it<\/p>\n<p>Oh, you can\u2019t resist<\/p>\n<p>Got to go<\/p>\n<p>Oh, illusions<\/p>\n<p>Do exist you know<\/p>\n<p>Oh, a secret kiss is there<\/p>\n<p>To show<\/p>\n<p>Truth<\/p>\n<p>What lies below<\/p>\n<p>First you gonna take it<\/p>\n<p>Then you\u2019ll make it<\/p>\n<p>Then you\u2019ll mistake it<\/p>\n<p>Then you\u2019ll break it<\/p>\n<p>Oh, you can\u2019t resist<\/p>\n<p>Got to go<\/p>\n<p>Oh, illusions<\/p>\n<p>Do exist you know<\/p>\n<p>Oh, a secret kiss is there<\/p>\n<p>To show<\/p>\n<p>Truth<\/p>\n<p>What lies below<\/p>\n<p>I\u2019ll be driving on a long road<\/p>\n<p>In a car that\u2019s silent and true<\/p>\n<p>I\u2019ve got that secret code in my eyes<\/p>\n<p>And all I see is \u201cI love you\u201d<\/p>\n<p>Song length 3:38<\/p>\n<p>Copyright Simon Mark Smith 2014 and 2018<\/p>\n<p>Music Steve Dumelo<\/p>\n<p>Vocal Melody and Lyrics: Simon Mark Smith<\/p>\n<p>Percussion Patou Soult<\/p>\n<p>Guitar Steve Dumelo<\/p>\n<p>Vocals Simon Mark Smith<\/p>\n<p>8 Words of Prey<\/p>\n<p>It\u2019s hard knowing what to say<\/p>\n<p>It\u2019s hard knowing what to do<\/p>\n<p>When you got a brand-new love<\/p>\n<p>When you got a brand-new love<\/p>\n<p>Oh, your stars are so much brighter<\/p>\n<p>And your heart there\u2019s a light on<\/p>\n<p>And though this night\u2019s it\u2019s so cold<\/p>\n<p>Put my coat on it\u2019s so lonely<\/p>\n<p>Here\u2019s the words<\/p>\n<p>You don\u2019t want to say<\/p>\n<p>Don\u2019t want to leave me this way<\/p>\n<p>I know a love has come your way<\/p>\n<p>Silence hides your words of prey<\/p>\n<p>If you\u2019re gonna be the one that says goodbye, then it\u2019s gonna hurt<\/p>\n<p>Always<\/p>\n<p>And if you\u2019re gonna be the one that hears goodbye then it\u2019s gonna hurt<\/p>\n<p>Always<\/p>\n<p>But I just can\u2019t get you out of my mind<\/p>\n<p>I just can\u2019t leave you behind<\/p>\n<p>Somewhere in the world you\u2019re someone\u2019s girl<\/p>\n<p>Somewhere in the night you\u2019re holding on tight<\/p>\n<p>I got the feeling that I\u2019m out your mind<\/p>\n<p>I got this feeling that I\u2019m out of time<\/p>\n<p>Sometimes, in a heartbeat<\/p>\n<p>Sometimes, two souls meet<\/p>\n<p>I got the feeling that I\u2019m out your mind<\/p>\n<p>I got this feeling that we\u2019re out of time<\/p>\n<p>Can you feel our love still?<\/p>\n<p>Do you feel it call?<\/p>\n<p>Can you feel our hearts cry?<\/p>\n<p>Do you feel it all?<\/p>\n<p>If you\u2019re on the highway<\/p>\n<p>If you\u2019re on the road<\/p>\n<p>Look at the sky<\/p>\n<p>And you\u2019ll know<\/p>\n<p>If you\u2019re gonna be the one that says goodbye, then it\u2019s gonna hurt<\/p>\n<p>Always<\/p>\n<p>And if you\u2019re gonna be the one that hears goodbye then it\u2019s gonna hurt<\/p>\n<p>Always<\/p>\n<p>I know our love before<\/p>\n<p>We left behind<\/p>\n<p>But now there\u2019s more love<\/p>\n<p>Than we thought we\u2019d find<\/p>\n<p>And you\u2019ll feel our love still<\/p>\n<p>You\u2019ll feel it call<\/p>\n<p>You\u2019ll feel our hearts cry<\/p>\n<p>You\u2019ll feel it all<\/p>\n<p>Song length 4:58<\/p>\n<p>Music, Vocal Melodies, Vocals and production: Simon Mark Smith<\/p>\n<p>Backing Vocals: Patou Soult<\/p>\n<p>Rhythm arrangements Patou Soult and Simon Mark Smith<\/p>\n<p>Copyright Simon Mark Smith 2017 UK<\/p>\n<p>9 I Feel You in My Life<\/p>\n<p>It\u2019s been hard for a long time<\/p>\n<p>We knew we\u2019d be<\/p>\n<p>Forever entwined<\/p>\n<p>And I remember<\/p>\n<p>I remember it oh so well<\/p>\n<p>Feeling oh so high<\/p>\n<p>Sunlight in our eyes<\/p>\n<p>I hear your song<\/p>\n<p>I know you\u2019re gone<\/p>\n<p>But in my heart, you\u2019re still here<\/p>\n<p>And your soul it lights my life still<\/p>\n<p>Have you heard the word?<\/p>\n<p>That I\u2019m so happy you were in my life?<\/p>\n<p>Just like a summer\u2019s day<\/p>\n<p>I feel you in the night<\/p>\n<p>Sometimes we\u2019re a talking<\/p>\n<p>Still talking away<\/p>\n<p>And your laughter<\/p>\n<p>Drives my tears away<\/p>\n<p>It\u2019s just that look and a<\/p>\n<p>Little smile and<\/p>\n<p>Just the way<\/p>\n<p>We\u2019d laugh<\/p>\n<p>\u2018Till we cried<\/p>\n<p>You were my light in the<\/p>\n<p>Darkened times and I<\/p>\n<p>Was your light<\/p>\n<p>When you couldn\u2019t<\/p>\n<p>Shine<\/p>\n<p>Just like a summer\u2019s day<\/p>\n<p>I feel you in the night<\/p>\n<p>I may have lost you<\/p>\n<p>But you\u2019ve been found<\/p>\n<p>In the love<\/p>\n<p>That\u2019s all around<\/p>\n<p>You were my light in the<\/p>\n<p>Darkened times and I<\/p>\n<p>Was your light<\/p>\n<p>When you couldn\u2019t<\/p>\n<p>Shine<\/p>\n<p>Just like a summer\u2019s day<\/p>\n<p>I feel you in the night<\/p>\n<p>It\u2019s just that look and a<\/p>\n<p>Little smile and<\/p>\n<p>Just the way<\/p>\n<p>We\u2019d laugh \u2018till we cried<\/p>\n<p>It\u2019s just that look and a<\/p>\n<p>Little smile and<\/p>\n<p>Just the way that<\/p>\n<p>We\u2019d laugh \u2018all night<\/p>\n<p>You were my light in<\/p>\n<p>Darkened times and I<\/p>\n<p>Was your light<\/p>\n<p>When you couldn\u2019t<\/p>\n<p>Shine<\/p>\n<p>You were my light in the<\/p>\n<p>lonely times and a<\/p>\n<p>friend for life<\/p>\n<p>When I couldn\u2019t be mine<\/p>\n<p>Just like a summer\u2019s day<\/p>\n<p>I feel you in my life<\/p>\n<p>Just like a summer\u2019s day<\/p>\n<p>I feel you in the night<\/p>\n<p>Just like a summer\u2019s day<\/p>\n<p>I feel you in my life<\/p>\n<p>Song length 3:56<\/p>\n<p>Words, Music, Vocal Melodies, Lyrics, Vocals and production: Simon Mark Smith<\/p>\n<p>Backing: Patou Soult<\/p>\n<p>Co-Arranging and some instrumentation in the solos Patou Soult<\/p>\n<p>Copyright Simon Mark Smith 2017 UK<\/p>\n<p>10 Dreams<\/p>\n<p>I got this feeling<\/p>\n<p>It feels so right<\/p>\n<p>I got this feeling<\/p>\n<p>You\u2019re by my side<\/p>\n<p>If you\u2019re feeling alone<\/p>\n<p>You\u2019re not alone<\/p>\n<p>Oh, come my love<\/p>\n<p>We got it strong<\/p>\n<p>The night is here<\/p>\n<p>The night is long<\/p>\n<p>I wish I was on my way<\/p>\n<p>I wish I was near<\/p>\n<p>I wish I could hold you baby<\/p>\n<p>But wishes don\u2019t heal<\/p>\n<p>I used to think that I\u2019d be famous one day<\/p>\n<p>It all seemed like a game we had to play<\/p>\n<p>Used to think success was measured in stars<\/p>\n<p>Money and cars<\/p>\n<p>We\u2019ve all got a dream of love<\/p>\n<p>It\u2019s our love light<\/p>\n<p>I got a guiding light<\/p>\n<p>it\u2019s a love light<\/p>\n<p>I\u2019ve been smoking your cigarettes<\/p>\n<p>Looking at the photos you kept<\/p>\n<p>Star crossed lovers<\/p>\n<p>Found in dreams<\/p>\n<p>Nothing\u2019s ever what it seems<\/p>\n<p>A face forgotten<\/p>\n<p>Goes unseen<\/p>\n<p>But my heart knows you<\/p>\n<p>I used to think that I\u2019d be famous one day<\/p>\n<p>It all seemed like a game we had to play<\/p>\n<p>Used to think success was measured in stars<\/p>\n<p>Money and cars<\/p>\n<p>We\u2019ve all got a dream of love<\/p>\n<p>It\u2019s our love light<\/p>\n<p>I got a guiding light<\/p>\n<p>it\u2019s a love light<\/p>\n<p>I wish we could see our love<\/p>\n<p>I wish we could try<\/p>\n<p>But it\u2019s so hard to find<\/p>\n<p>And you\u2019re so hard to find<\/p>\n<p>But if that\u2019s all you\u2019ve got<\/p>\n<p>Then it\u2019s all<\/p>\n<p>Then it\u2019s all<\/p>\n<p>Song length 3:33<\/p>\n<p>Music, Vocal Melodies, Lyrics, production and vocals: Simon Mark Smith<\/p>\n<p>Copyright 24 September 2017 Simon Mark Smith UK<\/p>\n<p>11 Not Enough<\/p>\n<p>Not enough money<\/p>\n<p>Not enough love<\/p>\n<p>Not enough ideas coming from above<\/p>\n<p>Not enough info<\/p>\n<p>Not enough food<\/p>\n<p>Not enough people seeking the truth<\/p>\n<p>Not enough love comes to me<\/p>\n<p>Not enough love comes to she<\/p>\n<p>Not enough love for the Lord<\/p>\n<p>Not enough love for us all<\/p>\n<p>Not enough interest<\/p>\n<p>Not enough pay<\/p>\n<p>Not enough people working today<\/p>\n<p>Not enough thought<\/p>\n<p>Not enough clothes<\/p>\n<p>Not enough people willing to flow<\/p>\n<p>Not enough people coming<\/p>\n<p>Not enough people willing to go<\/p>\n<p>Not enough music<\/p>\n<p>Not enough film<\/p>\n<p>Not enough TV to fill me in<\/p>\n<p>Not enough feelings coming my<\/p>\n<p>Not enough poetry to make me stay<\/p>\n<p>Not enough love comes to me<\/p>\n<p>Not enough love comes to she<\/p>\n<p>Not enough love for the Lord<\/p>\n<p>Not enough love for us all<\/p>\n<p>Not enough people coming my way<\/p>\n<p>Not enough people willing to pay<\/p>\n<p>Not enough<\/p>\n<p>Not enough<\/p>\n<p>Not enough for you<\/p>\n<p>Not enough love for me and you<\/p>\n<p>For me and you<\/p>\n<p>For me and you<\/p>\n<p>For me and you<\/p>\n<p>Song length 3:40<\/p>\n<p>Music, vocal melody, lyrics and production: Simon Mark Smith<\/p>\n<p>Main vocals: Simon Mark Smith<\/p>\n<p>Backing Vocals: Rebecca Saxton<\/p>\n<p>Copyright Simon Mark Smith 2010 UK<\/p>\n<p>12 Your Name<\/p>\n<p>There\u2019s a world<\/p>\n<p>That goes unseen<\/p>\n<p>Between the adverts<\/p>\n<p>In magazines<\/p>\n<p>Sometimes you find a fleeting feeling<\/p>\n<p>Sometimes you find the way<\/p>\n<p>If you\u2019re seeing a lie<\/p>\n<p>Then someone\u2019ll pay<\/p>\n<p>Are you taking the night train baby?<\/p>\n<p>Are you going away?<\/p>\n<p>Oh, it feels light<\/p>\n<p>In the morning<\/p>\n<p>Oh, it feels right<\/p>\n<p>in the day<\/p>\n<p>When you\u2019re kissing me hard<\/p>\n<p>You\u2019re kissing me long<\/p>\n<p>She was a mystical girl<\/p>\n<p>Shaded in light<\/p>\n<p>If I follow me home<\/p>\n<p>Is it a long way?<\/p>\n<p>I\u2019m writing these lines while<\/p>\n<p>You\u2019re riding those lines<\/p>\n<p>If you\u2019re seeing the light<\/p>\n<p>It ain\u2019t always day<\/p>\n<p>Are you taking the night train baby?<\/p>\n<p>Are you going away?<\/p>\n<p>Oh, it feels light<\/p>\n<p>In the morning<\/p>\n<p>Oh, it feels right<\/p>\n<p>in the day<\/p>\n<p>When you\u2019re kissing my heart<\/p>\n<p>I go insane<\/p>\n<p>Turn the dial FM<\/p>\n<p>Turn the dial FM<\/p>\n<p>Someone\u2019ll play<\/p>\n<p>And if we could fly<\/p>\n<p>Would we fly away<\/p>\n<p>I hear the night train calling<\/p>\n<p>It tells me to stay<\/p>\n<p>I hear the night train calling<\/p>\n<p>It tells me to stay<\/p>\n<p>I feel your name<\/p>\n<p>Song length 3:21<\/p>\n<p>Music, vocals, lyrics, and production. Simon Mark Smith<\/p>\n<p>Backing Vocals Patou Soult.<\/p>\n<p>Copyright Simon Mark Smith 2017 UK<\/p>\n<p>13 A Story of Love<\/p>\n<p>If you got peace on your mind<\/p>\n<p>And your heart\u2019s out of time<\/p>\n<p>You may feel the touch of love<\/p>\n<p>Free your soul or tightly bind<\/p>\n<p>You keep that dream strong<\/p>\n<p>When the light\u2019s gone<\/p>\n<p>You keep that dream strong<\/p>\n<p>A long, long time<\/p>\n<p>Could be a red sign<\/p>\n<p>Playing on your mind<\/p>\n<p>Could be the best crime<\/p>\n<p>For the rest of your time<\/p>\n<p>If you want it<\/p>\n<p>But don\u2019t need it<\/p>\n<p>Then you\u2019ll love it<\/p>\n<p>Then you\u2019ll leave it<\/p>\n<p>There goes a story of love<\/p>\n<p>There goes a story of love<\/p>\n<p>Some people want to stay<\/p>\n<p>When they go away<\/p>\n<p>For some it\u2019s hard to find<\/p>\n<p>A love that\u2019s truly kind<\/p>\n<p>If you buy it<\/p>\n<p>You might need it<\/p>\n<p>If you try it<\/p>\n<p>Then you might leave it<\/p>\n<p>There goes a story of love<\/p>\n<p>There goes a story of love<\/p>\n<p>So, keep our hearts strong<\/p>\n<p>When the light\u2019s gone<\/p>\n<p>Keep our love strong<\/p>\n<p>A long, long time<\/p>\n<p>If you want it<\/p>\n<p>Then you\u2019ll need it<\/p>\n<p>If you love it<\/p>\n<p>You\u2019ll never leave it<\/p>\n<p>There goes a story of love<\/p>\n<p>There goes a story of love<\/p>\n<p>There goes a story of love<\/p>\n<p>There goes a story of love<\/p>\n<p>Song length 3:05<\/p>\n<p>Music: Simon Mark Smith, Patou Soult and loads of software.<\/p>\n<p>Vocal Melodies: Simon Mark Smith<\/p>\n<p>Backing Vocals: Patou Soult<\/p>\n<p>Copyright 24 July 2017 Simon Mark Smith UK<\/p>\n<p>14 Our Love Lives Forever<\/p>\n<p>Cold rain<\/p>\n<p>I know it\u2019s right<\/p>\n<p>I got you on my side<\/p>\n<p>We were lost<\/p>\n<p>But we don\u2019t want to be found<\/p>\n<p>Loving all this light of love that lights my way<\/p>\n<p>Loving all the light of life that lights my day<\/p>\n<p>We\u2019re riding the waves<\/p>\n<p>Travelling headstrong<\/p>\n<p>A journey that\u2019s life long<\/p>\n<p>Our life<\/p>\n<p>When I get to feel that you\u2019re going away<\/p>\n<p>Our love will live for ever<\/p>\n<p>That\u2019s what you say<\/p>\n<p>We\u2019ve seen the sun at night<\/p>\n<p>And the moon in the day<\/p>\n<p>Through the calm and storms<\/p>\n<p>We must find our way<\/p>\n<p>Kiss me<\/p>\n<p>Kiss me life<\/p>\n<p>Oh, give me time<\/p>\n<p>We\u2019re living our lives<\/p>\n<p>We\u2019re loving heart strong<\/p>\n<p>Live long<\/p>\n<p>My Love<\/p>\n<p>When I get to feel that you\u2019re going away<\/p>\n<p>Our love will live for ever<\/p>\n<p>That\u2019s what you say<\/p>\n<p>Song length 3:48<\/p>\n<p>Original chords and composition by Simon Mark Smith and Patou Soult<\/p>\n<p>Arrangement, Vocal Melodies, Vocals and Production: Simon Mark Smith<\/p>\n<p>Copyright Simon Mark Smith 2018<\/p>\n<p>15 Forever Today<\/p>\n<p>It doesn\u2019t matter if you\u2019re leaving<\/p>\n<p>Take that drive away<\/p>\n<p>But come back tomorrow<\/p>\n<p>Or come back today<\/p>\n<p>It don\u2019t matter if you drive away<\/p>\n<p>Or you get the train<\/p>\n<p>As long as I get to feel you in my arms again<\/p>\n<p>When you said you\u2019d love me for ever<\/p>\n<p>I didn\u2019t think you meant today<\/p>\n<p>Didn\u2019t think your love would go away<\/p>\n<p>I don\u2019t care if you\u2019re going<\/p>\n<p>As long as you don\u2019t stay<\/p>\n<p>I don\u2019t care where you\u2019re going<\/p>\n<p>As long as you come back my way<\/p>\n<p>I was yours and you were mine<\/p>\n<p>Breathless nights in the summertime<\/p>\n<p>I didn\u2019t know you were going then<\/p>\n<p>It was just pretend<\/p>\n<p>I don\u2019t care where you\u2019re going<\/p>\n<p>As long as you come back my way<\/p>\n<p>On my own<\/p>\n<p>On my own<\/p>\n<p>On my own<\/p>\n<p>On my own<\/p>\n<p>On my own<\/p>\n<p>On my own<\/p>\n<p>Song length 2:04<\/p>\n<p>Melody, lyrics, vocals, keyboards, and production: Simon Mark Smith<\/p>\n<p>Music, Bass and Guitars: Steve Dumelo<\/p>\n<p>Piano and percussion: Patou Soult<\/p>\n<p>Copyright Simon Mark Smith 2007 and 2018<\/p>\n<p>16 Just A Friend<\/p>\n<p>Sometimes you meet someone<\/p>\n<p>It feels to you as if they are the one<\/p>\n<p>That\u2019s how I felt<\/p>\n<p>When I found you<\/p>\n<p>Now I don\u2019t know<\/p>\n<p>What I\u2019m gonna do<\/p>\n<p>If I tried to tell you<\/p>\n<p>What I want to say<\/p>\n<p>I would lose my way<\/p>\n<p>I\u2019m in love my friend<\/p>\n<p>And I know it must end<\/p>\n<p>It\u2019s too late<\/p>\n<p>Sometimes when you\u2019re lonely reaching out to me<\/p>\n<p>I\u2019m not the man you thought I\u2019d be<\/p>\n<p>Sometimes when you\u2019re crying<\/p>\n<p>Reaching out to me<\/p>\n<p>Just a friend I cannot be<\/p>\n<p>I\u2019m in love with you<\/p>\n<p>It\u2019s so hard to be true<\/p>\n<p>It\u2019s too late to hide<\/p>\n<p>All these feelings inside<\/p>\n<p>It wasn\u2019t what I wanted<\/p>\n<p>It wasn\u2019t what I planned<\/p>\n<p>It\u2019s one of those things<\/p>\n<p>I hope you understand<\/p>\n<p>I\u2019ll be walking out your life<\/p>\n<p>Now truth has had it\u2019s say<\/p>\n<p>Unless you tell me to stay<\/p>\n<p>I\u2019m in love with you<\/p>\n<p>And these words are true<\/p>\n<p>Is it too late<\/p>\n<p>Oh, Stay<\/p>\n<p>Song length 3:10<\/p>\n<p>Music, Vocal Melodies, Lyrics, Vocals, Piano: Simon Mark Smith<\/p>\n<p>iPad: Acoustic Guitar and Bass<\/p>\n<p>Copyright Simon Mark Smith 2013<\/p>\n<p>17 Neon Sun<\/p>\n<p>The sun is falling<\/p>\n<p>Behind a neon sign<\/p>\n<p>Oh, do you feel it<\/p>\n<p>My lover, my love, my life<\/p>\n<p>And when you\u2019re near me<\/p>\n<p>I want to stay<\/p>\n<p>And in your heart, you know<\/p>\n<p>I\u2019ve been searching for a long time<\/p>\n<p>It\u2019s so hard to find<\/p>\n<p>One touch<\/p>\n<p>Might be too much<\/p>\n<p>But too much might be fine<\/p>\n<p>I\u2019ve been a thinking<\/p>\n<p>About you all my life<\/p>\n<p>In my heart and my mind<\/p>\n<p>[Break]<\/p>\n<p>My love can be found<\/p>\n<p>In the neon sun<\/p>\n<p>I was, I was,<\/p>\n<p>Losing time<\/p>\n<p>Finding time<\/p>\n<p>One touch<\/p>\n<p>Might be too much<\/p>\n<p>But too much might be fine<\/p>\n<p>It\u2019s been a hard but a beautiful road<\/p>\n<p>One touch<\/p>\n<p>Might be too much<\/p>\n<p>But too much might be fine<\/p>\n<p>Song length 3:06<\/p>\n<p>Music, Vocal Melodies, Lyrics, Vocals and production: Simon Mark Smith<\/p>\n<p>Initial chord progression: Simon Mark Smith and Patou Soult<\/p>\n<p>Copyright 12th May 2017 Simon Mark Smith UK<\/p>\n<h4>BACKGROUND INFORMATION ABOUT THE SONGS<\/h4>\n<hr \/>\n<p>1\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Driving Me Wild<\/p>\n<p>As I\u2019ve got older I\u2019ve become far more aware of just how much of what drives us is nature in action. That is not to say we don\u2019t have control of ourselves, but to be aware of what really is behind much of what we think and feel helps us to know ourselves better.<\/p>\n<p>I once told my father that I\u2019d done something a bit rash, to which he said \u201cThe apple doesn\u2019t fall far from the tree\u201d. We both laughed at that thought. So, when I wrote this, even though it\u2019s a dark song in many ways I wanted there to be some humour too. There is something at the heart of our friendships with others that accepts each other through laughter.<\/p>\n<p>Even though, the lust and love we experience is exciting, and at the time one can\u2019t imagine a life without it, with age I have come to be happier not being so involved in it all. So, the line \u201cIt\u2019s a time I don\u2019t want to be\u201d seemed an apt way to start.<\/p>\n<p>It\u2019s also a song about love, about realising that the essence of someone remains even in the darkest heart and that through finding each other we can get past our more destructive sides.<\/p>\n<p>2\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Protected<\/p>\n<p>I spent a few years working in substance abuse centres, mainly as a teacher, but would sit in on group discussions with the clients. When I first started working I would be taken aback by the varied walks of life that the clients would come from, there didn\u2019t seem to be any that were off limits. I had also worked in homeless resource centres and would sometimes be dealing with people who were out of it. There\u2019s something a bit scary about dealing with people who seem to have detached themselves so far from reality. That\u2019s probably why we find someone who is in love with us a bit worrying too (we recognise they might not be that connected to reality at that point in time, especially if they idealise us), unless we\u2019re in love with them too, in which case it\u2019s all ok.<\/p>\n<p>I wrote the music for this first, I was playing around with some synth software I had and the song came about out of that process. The disjointed sections of music probably triggered thoughts about people\u2019s minds becoming disjointed too so I decided to write from the perspective of someone who is addicted, who feels protected, yet not from themselves. If in some way substance abuse partly is linked to sidestepping painful feelings, it\u2019s also a process that allows our darker sides to be manifested. There are probably many reasons why people become addicted to things but I wanted to focus on the duality of feeling protected whilst at the same time becoming more self-destructive. Likewise, the line \u201cBut I\u2019m protected\u201d also refers to someone who might have joined a gang to feel protected, yet at the same time they have become vulnerable to people who will put the rules of the gang ahead of their well-being.<\/p>\n<p>3\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dangerous Things<\/p>\n<p>This is mainly a song about temptation, but I wanted to focus on the issue that whilst we may feel we are tempted by something, it is the possibility of self-destruction that makes the temptation so powerful.<\/p>\n<p>\u201cThis desire, that guides me<\/p>\n<p>It\u2019s a long way from home<\/p>\n<p>But I, I got it here, it\u2019s in my heart<\/p>\n<p>It wants to leave me alone\u201d<\/p>\n<p>Sometimes I would have dreams about the sea\u2019s waves crashing against my house. When I thought about this I wondered if the sea was my own emotions and desires wanting to smash my own \u201cinternal\u201d home down. You might think that would be illogical, but if we have a self-destructive part of us, then that might make sense. Some people believe we hold ourselves as hostage in order to say to those who we believe damaged us, \u201cSee, see what you did to me?\u201d Maybe one of the main ways to stop that from happening, and therefore to set us free from that process, is to try to find a way to forgive. But, of course that is far easier said than done.<\/p>\n<p>4\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Losing Me<\/p>\n<p>It took me some time in my life to realise that in relationships it\u2019s so easy to lose oneself for fear of losing someone we have become attached to. The problem is, for a relationship to work, it requires that we are true to ourselves. It\u2019s quite easy to recognise this on a cerebral level but to keep to this takes a lot of work, and in some ways bravery, one has to be prepared to lose a relationship in order take the risk no losing ourselves.<\/p>\n<p>5\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dream Girl<\/p>\n<p>Someone I had met at a friend\u2019s place told me they played guitar so he came over to have a jam. I pressed the record button, he played a few chords and this song pretty much appeared there and then. We then had to spend the next month rerecording it and adding bits here and there, but sometimes it just happens like that. The lyrics are self-explanatory, but even though we all know that dream love and real love are very different, it\u2019s an issue that many of us will have to contend with through all our lives. In a way, real love requires seeing the essence of someone and loving them with all their faults, whereas dream love requires not seeing the other person, but instead remaining within the dream for as long as possible.\u00a0 Of course, even when we tell ourselves not to get hooked in to our romantic illusions it\u2019s still hard not to sometimes.<\/p>\n<p>6\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Fallen Angel<\/p>\n<p>Someone I knew had reached out to me, it wasn\u2019t anything serious, but I hadn\u2019t made much effort to communicate with them. A while later they committed suicide. I doubt my lack of communication had anything to do with it, but still one never knows what would have been. I was deeply shocked by her suicide, it felt like such a waste. She was a lovely person to me. So, this song is dedicated to Valerie.<\/p>\n<p>7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Break It<\/p>\n<p>The title of this song relates to breaking a secret code in life and the code is the notion that most human actions can be seen as a call for love. If you keep that in mind you can see things differently.<\/p>\n<p>Back when I had a convertible car I would sometimes drive up the nearby hills where the stars are clearer, put the roof down and look up at the night sky. I didn\u2019t have a silent car, at that point the idea of a silent car was eerie whereas now there are many electric ones that are so.\u00a0 I expect in time the significance of that line will be lost.<\/p>\n<p>In the song there\u2019s a tension between all the participants, it is mainly about revealing the truth through illusion (is that what much of art is about?), or even deliberately telling someone not to look in order to protect them from the truth of who we are.<\/p>\n<p>8\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Words of Prey<\/p>\n<p>We often sense when a relationship is coming to an end, and whilst we try to deny what\u2019s coming we know that at some point the words we are dreading will be spoken. These are the words of prey, waiting to swoop down on us, end the life of our relationship and cause immense pain. Being on the other end of the dynamic is painful too, so having to release the words of prey on someone else can feel devastating too. It\u2019s also possible that after this moment both parties will go in to a state of denial. One will believe the connection is everlasting and haunted by their love whilst the person leaving may also deny that indeed, some strong feelings still exist about their love, but in order to sever the connection they can\u2019t focus on such feelings either.<\/p>\n<p>I wanted to end the song on a more hopeful theme so whilst the music cuts back and forth between hopeful and more sombre, ultimately it ends on a happy note. Being able to keep in mind that there are pastures new, and different relationship and adventures to pursue is one way to help ourselves through such difficult times.\u00a0 To keep in mind a nostalgia for the future is a gift worth giving ourselves.<\/p>\n<p>9\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 I Feel You in My Life<\/p>\n<p>As time\u2019s gone I\u2019ve sadly experienced a few friends pass away. After a while one feels the residue of their being within us. Like the heat of a sunny day continuing through the night. As I wrote this I felt quite tearful as I thought about a few friends in particular who I had laughed with so many times and who\u2019d been there through times when I needed supporting or the other way around too. Whilst this is a sad subject I wanted to balance it with a happy side too. So, in a way it\u2019s a celebration of friendship and love. I had been thinking about 60\u2019s artists like Georgie Fame and wanted to touch on the energy and hopefulness of that era, so that\u2019s where the direction for the arrangement came from.<\/p>\n<p>10\u00a0\u00a0\u00a0\u00a0 Dreams<\/p>\n<p>I\u2019ve written a few songs over the years about dream love, but a few years ago I had a dream in which I met someone who I felt love for but I couldn\u2019t see their face. The significance of this was that firstly in our daily lives we may well feel things about someone, but our love stems from another relationship that that person somehow connects with in our mind, secondly that if we can\u2019t see who it is we really feel this depth of love for, then do they lose out because we can\u2019t make the connection and thirdly does this relate to more mystical ideas?<\/p>\n<p>I also touch on the other kind of dreams we have, ambitions and material wealth, but deep down we all know what\u2019s really important.<\/p>\n<p>11\u00a0\u00a0\u00a0\u00a0 Not Enough<\/p>\n<p>There\u2019s a notion of \u201crelative poverty\u201d. A millionaire may feel poor next to a billionaire, someone who is very poor in the UK will seem to be living like royalty compared to someone is a much poorer country. I didn\u2019t want to denigrate people who are suffering but I do think it\u2019s important to keep some kind of perspective when viewing our own situations. So, this song set out to point out that no matter what we have it\u2019s very easy to feel we haven\u2019t got enough.<\/p>\n<p>12\u00a0\u00a0\u00a0\u00a0 12 Your Name<\/p>\n<p>\u201cShe was a mystical girl<\/p>\n<p>Shaded in light<\/p>\n<p>If I follow me home<\/p>\n<p>Is it a long way?\u201d<\/p>\n<p>Once again this song deals partly with the idea of us having a dream love.\u00a0 Someone who is enigmatic (shaded in light). But it\u2019s also about us trying to understand ourselves, and through that becoming more aware of the deep dreams that drive us in so many ways. The idea of following ourselves home relates to us becoming more self-aware and suggests that it\u2019s a long journey (probably a lifetime\u2019s length.)<\/p>\n<p>I called it \u201cYour Name\u201d because so often our search for a dream lover can easily result in us asking people we feel might be that person, their name, but in reality, the dream lover will not be any of them.<\/p>\n<p>13\u00a0\u00a0\u00a0\u00a0 A Story of Love<\/p>\n<p>The starting point for the lyrics of this song had been an Internet meme that said something like \u201cIf you want peace then avoid love affairs\u201d. As much as I could relate to that I felt that when it comes to relationships, hope springs eternal, and that we can\u2019t avoid the story of love that is built in to our psyche.\u00a0 I also wanted to touch on some of the paradoxes of relationships, for instance the feeling of loss once the early stages of a relationship have passed, as well as the dual feelings people may have of wanting to stay as well as run away.<\/p>\n<p>14\u00a0\u00a0\u00a0\u00a0 Our Love Lives Forever<\/p>\n<p>I was tempted to call the album \u201cDreams\u201d, because so many of the songs revolve around such themes, but in a way, I wanted to make it more about being alerted to the danger of dreams as well as the comfort we take from them too.<\/p>\n<p>But this song, whilst it might suggest it\u2019s about love is also very much to do with life and appreciating what time we have. It\u2019s about the importance of love and care, which when I nearly died a few years ago, became a focal point to me. There are those who genuinely either care about others or at least choose to be on the side of helping others in the world and there are those who do not feel that way. They are the cold rain that falls upon us, the storms that threaten us and the destructive parts of ourselves, the emotional waves within us, that can beat upon ourselves too. But they all accentuate the importance of those we are connected to and care for, as well as us learning to love and care for others and ourselves too.<\/p>\n<p>In some ways, it doesn\u2019t matter that love possibly doesn\u2019t last forever, it\u2019s the feeling that it does that touches us to our core, and maybe when we feel love we find a moment feels as it if it will stretch on forever.<\/p>\n<p>15\u00a0\u00a0\u00a0\u00a0 Forever Today<\/p>\n<p>This was a song from the archives. I\u2019d written it about 12 years ago with Steve Dumelo. It\u2019s partly about coming to terms with the idea that things and relationships probably won\u2019t last forever and part of helping ourselves to cope with reality might mean accepting that not only is everything transitory, but people are often fickle and weak too. So, when people let us down, when what was meant to be forever comes to an end on day, then we are better to let it go than to try holding on desperately. It\u2019s hard to do, but worth keeping in mind in those situations.<\/p>\n<p>16\u00a0\u00a0\u00a0\u00a0 Just A Friend<\/p>\n<p>Whilst the lyrics of this song are pretty much self-explanatory, the original idea came about as I played around with Garageband on the iPad, it\u2019s a music recording program. I think the guitars on this recording came from the original version from the iPad. The sound of the song brought to mind songs from the 1950\u2019s, especially by people like Dean Martin. This song doesn\u2019t get to the heights of such musical prowess, but I didn\u2019t want to abandon this song either so it\u2019s been left on as an \u201cextra\u201d. There are many songs that get written but are not good enough so get written off. But sometimes, when listening back through ideas I can often hear potential and in this instance, I wanted to give it a chance. As for the subject matter, it\u2019s more written about people I know. From the age of about 14 I realised it was better just to tell someone if I fancied them, (if it was appropriate to do so), life\u2019s too short to waste not telling people how we feel.<\/p>\n<p>17\u00a0\u00a0\u00a0\u00a0 Neon Sun<\/p>\n<p>I did think of the Sun studios where Elvis Presley recorded his first songs when I started writing this, but it was more to do with a feeling of heat and the ending of the day. I was also interested in the contrast of a neon sign against the sun as a metaphor for the shallowness of much of what we experience even though deep down we know what it is we need. It\u2019s a long road we travel along, surrounded by beautiful neon signs, but all the time the sun and the stars are shining on us too.<\/p>\n<hr \/>\n<h4>THANK YOU<\/h4>\n<hr \/>\n<p>Thank you for taking the time to read this and for listening to some of my music if you did.\u00a0 To create all this was a joy for me and even more so to know that somehow I may well be connecting with others whose names I may never know, but even though we may possibly never meet, I kind of felt your presence even so.<\/p>\n<p>Thank you<\/p>\n<h5><\/h5>\n<h5>Photos<\/h5>\n<hr \/>\n<div id='gallery-1' class='gallery galleryid-1829 gallery-columns-3 gallery-size-medium'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/simonsdiary.co.uk\/wordpress\/?attachment_id=1280'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"265\" src=\"https:\/\/simonsdiary.co.uk\/wordpress\/wp-content\/uploads\/2021\/03\/Front-Jacket-Cover-copy-600x530-1-300x265.jpeg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-1280\" srcset=\"https:\/\/simonsdiary.co.uk\/wordpress\/wp-content\/uploads\/2021\/03\/Front-Jacket-Cover-copy-600x530-1-300x265.jpeg 300w, https:\/\/simonsdiary.co.uk\/wordpress\/wp-content\/uploads\/2021\/03\/Front-Jacket-Cover-copy-600x530-1.jpeg 600w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-1280'>\n\t\t\t\tDangerous Things\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/simonsdiary.co.uk\/wordpress\/dangerous-things-cd\/dangerous-things-back-cover\/'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"298\" src=\"https:\/\/simonsdiary.co.uk\/wordpress\/wp-content\/uploads\/2021\/04\/Dangerous-Things-back-cover-300x298.jpeg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/simonsdiary.co.uk\/wordpress\/wp-content\/uploads\/2021\/04\/Dangerous-Things-back-cover-300x298.jpeg 300w, https:\/\/simonsdiary.co.uk\/wordpress\/wp-content\/uploads\/2021\/04\/Dangerous-Things-back-cover-1024x1016.jpeg 1024w, https:\/\/simonsdiary.co.uk\/wordpress\/wp-content\/uploads\/2021\/04\/Dangerous-Things-back-cover-150x150.jpeg 150w, https:\/\/simonsdiary.co.uk\/wordpress\/wp-content\/uploads\/2021\/04\/Dangerous-Things-back-cover-768x762.jpeg 768w, https:\/\/simonsdiary.co.uk\/wordpress\/wp-content\/uploads\/2021\/04\/Dangerous-Things-back-cover-600x596.jpeg 600w, https:\/\/simonsdiary.co.uk\/wordpress\/wp-content\/uploads\/2021\/04\/Dangerous-Things-back-cover-100x100.jpeg 100w, https:\/\/simonsdiary.co.uk\/wordpress\/wp-content\/uploads\/2021\/04\/Dangerous-Things-back-cover.jpeg 1492w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/simonsdiary.co.uk\/wordpress\/dangerous-things-cd\/album-cover-back-image-edit-8-3000-pixels-scaled\/'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/simonsdiary.co.uk\/wordpress\/wp-content\/uploads\/2021\/04\/Album-cover-back-image-edit-8-3000-pixels-scaled-1-300x300.jpeg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/simonsdiary.co.uk\/wordpress\/wp-content\/uploads\/2021\/04\/Album-cover-back-image-edit-8-3000-pixels-scaled-1-300x300.jpeg 300w, https:\/\/simonsdiary.co.uk\/wordpress\/wp-content\/uploads\/2021\/04\/Album-cover-back-image-edit-8-3000-pixels-scaled-1-1024x1024.jpeg 1024w, https:\/\/simonsdiary.co.uk\/wordpress\/wp-content\/uploads\/2021\/04\/Album-cover-back-image-edit-8-3000-pixels-scaled-1-150x150.jpeg 150w, https:\/\/simonsdiary.co.uk\/wordpress\/wp-content\/uploads\/2021\/04\/Album-cover-back-image-edit-8-3000-pixels-scaled-1-768x768.jpeg 768w, https:\/\/simonsdiary.co.uk\/wordpress\/wp-content\/uploads\/2021\/04\/Album-cover-back-image-edit-8-3000-pixels-scaled-1-1536x1536.jpeg 1536w, https:\/\/simonsdiary.co.uk\/wordpress\/wp-content\/uploads\/2021\/04\/Album-cover-back-image-edit-8-3000-pixels-scaled-1-2048x2048.jpeg 2048w, https:\/\/simonsdiary.co.uk\/wordpress\/wp-content\/uploads\/2021\/04\/Album-cover-back-image-edit-8-3000-pixels-scaled-1-380x380.jpeg 380w, https:\/\/simonsdiary.co.uk\/wordpress\/wp-content\/uploads\/2021\/04\/Album-cover-back-image-edit-8-3000-pixels-scaled-1-445x445.jpeg 445w, https:\/\/simonsdiary.co.uk\/wordpress\/wp-content\/uploads\/2021\/04\/Album-cover-back-image-edit-8-3000-pixels-scaled-1-600x600.jpeg 600w, https:\/\/simonsdiary.co.uk\/wordpress\/wp-content\/uploads\/2021\/04\/Album-cover-back-image-edit-8-3000-pixels-scaled-1-100x100.jpeg 100w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/simonsdiary.co.uk\/wordpress\/dangerous-things-cd\/dangerous-things-cd-graphic\/'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/simonsdiary.co.uk\/wordpress\/wp-content\/uploads\/2021\/04\/Dangerous-Things-cd-graphic-300x300.jpeg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/simonsdiary.co.uk\/wordpress\/wp-content\/uploads\/2021\/04\/Dangerous-Things-cd-graphic-300x300.jpeg 300w, https:\/\/simonsdiary.co.uk\/wordpress\/wp-content\/uploads\/2021\/04\/Dangerous-Things-cd-graphic-1019x1024.jpeg 1019w, https:\/\/simonsdiary.co.uk\/wordpress\/wp-content\/uploads\/2021\/04\/Dangerous-Things-cd-graphic-150x150.jpeg 150w, https:\/\/simonsdiary.co.uk\/wordpress\/wp-content\/uploads\/2021\/04\/Dangerous-Things-cd-graphic-768x771.jpeg 768w, https:\/\/simonsdiary.co.uk\/wordpress\/wp-content\/uploads\/2021\/04\/Dangerous-Things-cd-graphic-1529x1536.jpeg 1529w, https:\/\/simonsdiary.co.uk\/wordpress\/wp-content\/uploads\/2021\/04\/Dangerous-Things-cd-graphic-380x380.jpeg 380w, https:\/\/simonsdiary.co.uk\/wordpress\/wp-content\/uploads\/2021\/04\/Dangerous-Things-cd-graphic-445x445.jpeg 445w, https:\/\/simonsdiary.co.uk\/wordpress\/wp-content\/uploads\/2021\/04\/Dangerous-Things-cd-graphic-100x100.jpeg 100w, https:\/\/simonsdiary.co.uk\/wordpress\/wp-content\/uploads\/2021\/04\/Dangerous-Things-cd-graphic.jpeg 1537w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/simonsdiary.co.uk\/wordpress\/dangerous-things-cd\/simon-at-computer-2019-edit-4-scaled-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"225\" src=\"https:\/\/simonsdiary.co.uk\/wordpress\/wp-content\/uploads\/2021\/04\/Simon-at-computer-2019-edit-4-scaled-2-300x225.jpeg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/simonsdiary.co.uk\/wordpress\/wp-content\/uploads\/2021\/04\/Simon-at-computer-2019-edit-4-scaled-2-300x225.jpeg 300w, https:\/\/simonsdiary.co.uk\/wordpress\/wp-content\/uploads\/2021\/04\/Simon-at-computer-2019-edit-4-scaled-2-1024x768.jpeg 1024w, https:\/\/simonsdiary.co.uk\/wordpress\/wp-content\/uploads\/2021\/04\/Simon-at-computer-2019-edit-4-scaled-2-768x576.jpeg 768w, https:\/\/simonsdiary.co.uk\/wordpress\/wp-content\/uploads\/2021\/04\/Simon-at-computer-2019-edit-4-scaled-2-1536x1152.jpeg 1536w, https:\/\/simonsdiary.co.uk\/wordpress\/wp-content\/uploads\/2021\/04\/Simon-at-computer-2019-edit-4-scaled-2-2048x1536.jpeg 2048w, https:\/\/simonsdiary.co.uk\/wordpress\/wp-content\/uploads\/2021\/04\/Simon-at-computer-2019-edit-4-scaled-2-600x450.jpeg 600w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<hr \/>\n<p>Online Links<\/p>\n<hr \/>\n<p><span style=\"text-decoration: underline;\"><span style=\"color: #333333; text-decoration: underline;\"><a style=\"color: #333333; text-decoration: underline;\" href=\"https:\/\/www.facebook.com\/Simonmarksmith\">Facebook<\/a><\/span><\/span><\/p>\n<p><span style=\"text-decoration: underline;\"><span style=\"color: #333333; text-decoration: underline;\"><a style=\"color: #333333; text-decoration: underline;\" href=\"https:\/\/twitter.com\/simonsmith1\">Twitter<\/a><\/span><\/span><\/p>\n<p><span style=\"text-decoration: underline;\"><span style=\"color: #333333; text-decoration: underline;\"><a style=\"color: #333333; text-decoration: underline;\" href=\"https:\/\/www.reverbnation.com\/simonmarksmith\">Reverbnation<\/a><\/span><\/span><\/p>\n<p><span style=\"text-decoration: underline;\"><span style=\"color: #333333; text-decoration: underline;\"><a style=\"color: #333333; text-decoration: underline;\" href=\"https:\/\/www.youtube.com\/channel\/UCeuG560SxgzHbBpn23BzRXA?\">YouTube<\/a><\/span><\/span><\/p>\n<p><span style=\"text-decoration: underline;\"><span style=\"color: #333333; text-decoration: underline;\"><a style=\"color: #333333; text-decoration: underline;\" href=\"https:\/\/www.instagram.com\/simonsmith1\/\">Instagram<\/a><\/span><\/span><\/p>\n<p><span style=\"text-decoration: underline;\"><span style=\"color: #333333; text-decoration: underline;\"><a style=\"color: #333333; text-decoration: underline;\" href=\"https:\/\/myspace.com\/simon1a\">Myspace<\/a><\/span><\/span><\/p>\n<p><span style=\"color: #333333;\"><a style=\"color: #333333;\" href=\"https:\/\/open.spotify.com\/album\/0uUrHXlzbPCELBPdN6gBq8\">Spotify<\/a><\/span><\/p>\n<p><span style=\"color: #333333;\"><a style=\"color: #333333;\" href=\"https:\/\/music.apple.com\/gb\/album\/dangerous-things\/1469921216\">Apple Music<\/a><\/span><\/p>\n<p><span style=\"color: #333333;\"><a style=\"color: #333333;\" href=\"https:\/\/music.apple.com\/us\/album\/dangerous-things\/1469921216\">iTunes<\/a><\/span><\/p>\n<p><span style=\"color: #333333;\"><a style=\"color: #333333;\" href=\"https:\/\/www.amazon.co.uk\/Dangerous-Things-Simon-Mark-Smith\/dp\/B07THD92QQ\/\">Amazon<\/a><\/span><\/p>\n<p><span style=\"color: #333333;\"><a style=\"color: #333333;\" href=\"https:\/\/www.deezer.com\/us\/album\/101457282\">Deezer<\/a><\/span><\/p>\n<p><span style=\"color: #333333;\"><a style=\"color: #333333;\" href=\"https:\/\/soundcloud.com\/simon1a\/sets\/dangerous-things-album-2019\">Soundcloud<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Simon Mark Smith &#8211; Detailed information about the Dangerous Things Album \u00a0Release Date 1st August 2019 \u00a0. \u00a0. . &#8220;Put simply: this exceptionally unique album is something that you\u2019ll need to definitely hear yourself from front to back. If you\u2019re like us, you\u2019ll need to listen to the album a number of times \u2013 not&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"cybocfi_hide_featured_image":"","footnotes":""},"class_list":["post-1829","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/simonsdiary.co.uk\/wordpress\/wp-json\/wp\/v2\/pages\/1829","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/simonsdiary.co.uk\/wordpress\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/simonsdiary.co.uk\/wordpress\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/simonsdiary.co.uk\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/simonsdiary.co.uk\/wordpress\/wp-json\/wp\/v2\/comments?post=1829"}],"version-history":[{"count":21,"href":"https:\/\/simonsdiary.co.uk\/wordpress\/wp-json\/wp\/v2\/pages\/1829\/revisions"}],"predecessor-version":[{"id":6751,"href":"https:\/\/simonsdiary.co.uk\/wordpress\/wp-json\/wp\/v2\/pages\/1829\/revisions\/6751"}],"wp:attachment":[{"href":"https:\/\/simonsdiary.co.uk\/wordpress\/wp-json\/wp\/v2\/media?parent=1829"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}